What's Hot From ITC 2009

June 2009

All the beauty of 18th-century classic typeface designs, but adapted for today’s typographic requirements – that’s the ITC Fenice™ type family, by Aldo Novarese. Based on the Bodoni model but made warmer and much easier to use, ITC Fenice is now available as OpenType Pro fonts.  Click here for more

May 2009

The ITC New Baskerville™ family continues the proud tradition of this classic typestyle. Inviting and highly legible, this perpetually fresh old style design has been revived, expanded, and is now available as OpenType® Pro fonts.  Click here for more

April 2009

Affable, legible and versatile, the ITC Obliqua™ typeface family has it all. Drawn by César Puertas, this new ITC typeface should be a valuable addition to any graphic designer’s tool kit. Click here for more

March 2009

Designed with Edward Johnston’s “London Underground Railway” typeface in mind, the ITC Johnston™ family is now available as a suite of OpenType® Pro fonts. This versatile family by type designers David Farey and Richard Dawson offers extended capabilities while retaining its original twentieth-century feel. Click here for more

February 2009

Through his hands-on experience choosing fonts as a graphic designer, type newcomer André Simard developed a type family with a good measure of design sensibility. His Migration™ Sans suite of fonts offers five readable weights that can be utilized across a variety of projects. Expect more to come from this designer-turned-typophile. Click here for more

January 2009

This lively sans serif created to fit children’s magazine illustrations holds it own in “mature” design projects with its characteristic shapes and unsparing x-heights. Offering three versatile, yet distinctive weights, Slobodan Jelesijevic’s harmonious ITC Pino™ typeface family moves beyond illustrations for children into a full range of applications necessitating a charming font. Click here for more