Articles

Eric Gill & The Cockerel Press
The name of Eric Gill is probably most widely known today as a type designer. As an artist, he was much more than that, a letter cutter in stone, a sculptor and a wood engraver

Small Caps
Small caps are available for a select number of typefaces and allow you to bring distinction and sophistication to your work

Eric Gill and the Golden Cockerel Press
Creating a series of elegant, distinctive typefaces for the Golden Cockerel Press marked a dramatic turning point in the prodigious career of Eric Gill. Before starting the project in 1929, Gill had already earned a wide reputation in England as a sculptor, stonecutter, and wood-engraver — and also as a controversial socialist, pacifist, and liberal Catholic convert. The Golden Cockerel typefaces, commissioned specifically for a special edition of the Four Gospels, were his first efforts as a full-fledged type designer

Golden Cockerel Press
The British private presses of the heroic early years took many forms. Some, like St John Hornby’s Ashendene Press, were unashamedly the spare-time indulgencies of wealthy men: Hornby was the director of the big bookselling chain of W. H. Smith

Robert Gibbings
The huge, genial figure of Robert Gibbings first loomed into my life around 1953. I had been commissioned by the Limited Editions Club to design an edition of Charles Darwin’s record of The Voyage of the Beagle which Robert was to illustrate with wood engravings

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