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U&lc Online Issue: 27.1.1


Small Caps

 

by Ilene Strizver

 


For Your Typographic
Information


Small caps are available for a select number of typefaces and allow you to bring distinction and sophistication to your work.

When designed for a text face, these shortened capital letterforms usually match the height of the shortest lowercase characters (commonly referred to as the x-height). However, small caps created for display designs vary considerably in height and are often taller than the x-height. Some display typefaces are all-cap designs (no lowercase at all) and have small caps in the lowercase positions.

Used frequently for setting title pages and page headings, small caps are often suitable for headlines, subheads and column headings. You'll also find small caps in lead-ins for opening paragraphs, often following an initial cap. Small caps are a great alternative to all caps for abbreviations such as states (MA and OR), times (A.M. and P.M.), educational degrees (BA and BS) and acronyms (PC, UNIX). Unlike all-cap settings, small caps stand out nicely without disturbing the balance and color of lowercase copy, and they require less space than all caps.

It's important to work with "true-drawn" small caps, which are available in actual small-cap fonts or as characters in their respective typeface families. True-drawn small caps are designed to blend with the weight, color and proportion of capital letters. In contrast, computer-generated versions or reduced caps are simply scaled-down caps, and they are usually too light and often too narrow. They lack essential design features such as adjustments to proportions, stroke weights, length of serifs and other details that contribute to the legibility and aesthetics of your work.

Small Caps

Small Caps
Small caps for display designs vary in size and
are often taller than the height of the lowercase
letterforms.

Fonts with "true-drawn" Small Caps:
Albertina Aldus Apollo
Baskerville ITC New Baskerville Bell
Bembo Bauer Bodoni ITC Bodoni
Bulmer New Caledonia Adobe Caslon
Centaur Centennial ITC Cerigo
Charlotte ITC Charter Columbus
Dante Didot Diotima
Eaglefeather Ehrhardt ITC Elan
Electra ITC Elysium Fairfield
Figural Fournier Friz Quadrata
ITC Gema Adobe Garamond MT Garamond
Stempel Garamond Garth Graphic Gilgamesh
ITC Giovanni ITC Golden Type Imprint
ITC Jamille MT Janson Joanna
ITC Legacy Serif LinoLetter Manticore
ITC Mendoza Minion ITC Obelisk
ITC Officina Serif Octavian Old Style 7
ITC Pacella Palatino Paradigm
MT Pastonchi Perpetua Photina
Planet Serif Plantagenet Plantin
Pompei MT Sabon Spectrum
ITC Syndor Throhand Times New Roman
Truesdell Utopia Van Dijk
Walbaum Gill Sans Ocean Sans


Editor’s Note: Ilene Strizver, founder of The Type Studio, is a typographic consultant, designer and writer specializing in all aspects of typographic communication. Read more about typography in her latest literary effort, Type Rules!, published by North Light Books. This article was commissioned and approved by Monotype Imaging Inc.

  

 


Small Caps
Small caps are usually drawn to blend with the weight, color and proportion of uppercase letters.

Small Caps
True drawn small caps are superior to computer generated small caps or reduced caps as they are drawn to match the weight, color and proportion of the caps. Computer generated small caps are just reduced caps and therefore look too light and often too narrow.



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