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What's Hot From ITC 2009
July 2009 
ITC Legacy™ Square Serif and ITC Legacy Serif Condensed designs, from Ron Arnholm, are the newest additions to the ITC Legacy family of typefaces. These new designs are great communicators and, when added to the other faces in the Legacy series, create a type family that is greater than the sum of its parts.
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October 2009
With three styles and 15 weights, the ITC Humana family is distinctive, versatile and now available as OpenType Pro fonts. The serif design is legible yet warm. The sans serif faces have a clean look without appearing clinical, and the italics and scripts are inviting emphasizers.
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April 2009
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 Affable, legible and versatile, the ITC Obliqua™ typeface family has it all. Drawn by César Puertas, this new ITC typeface should be a valuable addition to any graphic designer’s tool kit.
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June 2009
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 All the beauty of 18th-century classic typeface designs, but adapted for today’s typographic requirements – that’s the ITC Fenice™ type family, by Aldo Novarese. Based on the Bodoni model but made warmer and much easier to use, ITC Fenice is now available as OpenType Pro fonts.
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February 2009
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 Through his hands-on experience choosing fonts as a graphic designer, type newcomer André Simard developed a type family with a good measure of design sensibility. His Migration™ Sans suite of fonts offers five readable weights that can be utilized across a variety of projects. Expect more to come from this designer-turned-typophile.
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August 2009
 Practically since the typewriter was invented, typestyles have been created to emulate typewriter type. But it took ITC to develop ITC American Typewriter™, the first design that looks like typewriter type but performs with all the power of a typographic font. As a further enhancement to this special design, ITC American Typewriter is now available as OpenType Pro fonts.
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January 2009
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 This lively sans serif created to fit children’s magazine illustrations holds it own in “mature” design projects with its characteristic shapes and unsparing x-heights. Offering three versatile, yet distinctive weights, Slobodan Jelesijevic’s harmonious ITC Pino™ typeface family moves beyond illustrations for children into a full range of applications necessitating a charming font.
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November 2009
With two styles and twelve weights, the ITC Chino™ family is distinctive, versatile – and available as OpenType Pro fonts. The display designs are friendly and inviting while the text faces are no-nonsense communicators – albeit, with a twinkle in their eye. This new family from Hannes Von Döhren and Livius Dietzel is sure to become an important design tool.
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December 2009
 The ITC Clearface® typeface family is a reworking of the original American Type Foundry design created just over a century ago. As adapted by Victor Caruso, ITC Clearface offers exceptional readability in four weights – now available as a suite of Pro fonts. Caruso’s re-draw embodies the earlier design’s individuality, without any of its original inconsistencies.
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September 2009
 ITC’s newest release, ITC Sportbet™, speaks with authority and flair. Its rugged good looks and distinctive demeanor is sure to create commanding graphic messages. Set it tight and stack the letters with powerful results.
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March 2009
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 Designed with Edward Johnston’s “London Underground Railway” typeface in mind, the ITC Johnston™ family is now available as a suite of OpenType® Pro fonts. This versatile family by type designers David Farey and Richard Dawson offers extended capabilities while retaining its original twentieth-century feel.
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May 2009
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 The ITC New Baskerville™ family continues the proud tradition of this classic typestyle. Inviting and highly legible, this perpetually fresh old style design has been revived, expanded, and is now available as OpenType® Pro fonts.
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